Foafoa i totonu o Aoga Musika

Foafoa i Aoga Musika & Kolisi Musika

O lo'o i ai le 'oa o le "kopi a'u", fa'ata'ita'iga a'oa'oga i fafo. Youtube o le faʻataʻitaʻiga sili lea ma vitio o faʻataʻitaʻiga e faʻataʻitaʻiina e tagata. O tupulaga talavou, aemaise lava, e fiafia e faʻataʻitaʻi ma kopi a latou tagata youtube e sili ona fiafia i ai ma, ioe, latou te faʻaalia (o le tele o polokalame pese a le TV e faʻalauiloa ai le au pepese "e foliga mai" o le tagata pese muamua). I le tele o auala, o le faʻataʻitaʻiga o le "faigofie" filifiliga ma e aofia ai le fesili:

• “Pe sa’o la’u tala?”.

O faiaoga lelei musika latou te luiina lenei mea ma faʻamoemoe e faʻateleina le taʻitoʻatasi o tamaiti aoga taʻitoʻatasi. O le fa'amoemoe ia avea tagata uma ma se tusiata i la latou lava aia tatau. O fesili nei:

• "Na ou puʻeina laʻu faʻamatalaga o le tagata?",

• "Na ou tuu la'u lava vili i luga?",

• “E mafai ona e ta'u mai sa ou faia au lava faauigaga i le auala ou te taina ai?”.

Ta'iala mo le Foafoa mo Musika i A'oga

Seʻi o tatou vaʻavaʻai i se faʻataʻitaʻiga mo le aʻoaʻoina e aoga mo tagata taʻitoʻatasi i le 1-1 lesona ma potuaoga, mo tagata amata ma tamaiti aʻoga maualuga (e aofia ai tipiloma maualuluga):

(1) A'oa'o muamua le taliga, i totonu Fa'alogo ma Totonu.  If we hear and imagine sounds in our heads then we become quality musicians.  Some musicians read and perform very well without ‘hearing’ first and they tend to lack that final finesse.  Other musicians only play by ear and memory and find reading a challenge; frequently they have more flair if their memories and technique are firmly established.  There are many ways to do this.  I prefer solfège and activities such as singing chord roots, singing other chord notes, singing one part while playing another, playing specific notes and ‘inner hearing’ others and so on.  Training the ‘inner ear’ enhances aural imagination.  Pese sootaga ma taaalo matagofie ma faʻaleleia le faʻaalia o faʻataʻitaʻiga masani i mea faifaaili.

(2)  Take key concepts, phrases, chord progressions, techniques, scales etc and improvise upon them.  Why?  Because playing fluently involves mastery and in-depth understanding of the elements within a piece.  Individual stylisation goes beyond mastery and requires creativity and imagination.  Fausia ma Atina'e e tatau ona taua i le faia o musika anoa uma.

(3) Uunaia le faauigaina. E tele naua auala e fai ai lenei mea mo le tele o sitaili eseese. Na'o le vaiaso nei, sa ou fa'aogaina ai se fa'amatalaga faigofie o Claire de Lune ma se talavou ma sa matou su'eina se fa'aliliuga o fa'aupuga uma fa'atasi (e aoga tele le faia - sa ou matua te'i lava, o lo'o i ai se uiga lelei o le "amio o le tala" ) ma na vave ona suia ai le auala na ia oomiina ai ki piano ma le auala na ia faia ai fasifuaitau. Sa ou luiina se tagata pese tulaga faavaomalo e faia le pese lava e tasi mo mea eseese e 3: maliu, pati ma le alofa. Sa manaia tele le talanoaina pe faapefea ona ia faia ni eseesega faaleo ma faauigaina mo nei taimi e 3. O fea e teuteu ai e le au pepese pop i le fua pentatonic ma o fea latou te faʻaogaina ai se nota lanumoana? O fea o le a latou faatupuina ai le le mautonu ma le lotogatasi ma o le a le malosi o le ai ai? O le a le vaega pito i tua o le tusitusiga, o le "faamoemoe" mai le vaaiga a le tagata? Ua lua nei Fa'atino ma Fesootaiga.

(4) Holistic - o le tele o sitaili ma faʻamatalaga auala e te filifilia, o le tele foi lea o oulua uma faia ma pulea lelei leo.

Ala Taleni, fa'atasi ai ma Musika Hubs i le mafaufau

O le auivi sa'o mo le a'oa'oina, na fa'atuina i ulua'i lesona, e fa'atulaga ai tagata a'oa'o uma mo le aga'i i luma i le tulaga maualuga, ma le 'fa'amusika' mafaufau nai lo le fa'ainisinia ma fa'ainisinia.

Le Maestro Online Music Courses

Dr Robin Harrison FRSA created The Maestro Online courses and Celebrity Masterclasses online which meet all of these targets and more.  The Maestro Online collaborates with music hubs, music colleges, music in schools, music in universities and international level celebrity musicians.’ The digital courses are suitable for individuals, universities, colleges, schools, 1-1 lessons, as a supplement to 1-1 lessons, adaptable for class environments and much more.  The Maestro Online seeks to collaborate with institutions to create courses according to their specific needs, to further enhance the musicianship of their students.  Piano courses, organ courses, aural lessons and singing courses all have a holistic musicianship approach through all levels.